Une étrange et spectrale nature du monde dans „The Shining” (1980) de Stanley Kubrick

Der Band enthält die Abstracts ausschließlich in englischer Sprache.This article analyzes Stanley Kubrick's film The Shining (1980) in its complex textuality, where ghosts, spectrality and repetition compulsion play a relevant role in defining the symbolic space of a contemporary gothic story about madness, fear, evil traces and perception. In a context where time is out of joint, and where evil laws try to frame human presences in a dimension of distress, spectral presences shape a ghostly world where fears and violence are defeated by a special mental strength, the 'shining'.L'article contient uniquement les résumés en anglais